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David Burns, Rebirth, Video, 4 min 15 sec, 2005
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My creative work explores technology’s relationship
to memory and surveillance. I am also interested in the relationships
between audio rhythms and visual rhythms and the creation of audio-visual
rhythmic behaviors. Using motion, color, form and sound, I explore
themes that can be experienced cross-culturally in a variety of public
spaces.
My recent work, Rebirth, reflects on my personal memory and expression
of the fall of the World Trade Center in New York City on 9/11. Rebirth
explores the cyclical themes of birth, destruction and rebirth. The
abstract images in the work are randomly generated organic forms
that remind the viewer that each of the cycles explored can occur
at unexpected, non-linear points in time.
The Visual Orchestra uses color and form to bring an original music
score to life. The animation explores the relationships between audio
rhythms and visual rhythms through the abstract representation of
an experimental sonic track. The Visual Orchestra evokes a wide range
of moods ranging from contemplative and meditative to elated and
energized.
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David Burns |
David Burns holds a MFA
in Design and Technology from the Parsons School of Design. After
practicing digital art in New York City for nearly a decade,
David now works as an assistant professor in the College of Mass
Communication Media Arts at Southern Illinois University Carbondale.
He specializes in 3D computer modeling, animation, digital video
and digital media theory. David’s work explores the relationship
between technology and memory, surveillance and human behavior.
He takes an interdisciplinary approach to art combining a variety
of media, including 3D animation, video, physical computing,
drawing, and painting to push the boundaries of artistic expression.
His research and artwork have been presented both nationally
and internationally through gallery exhibitions, film festivals,
conferences and screenings. |
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