My work investigates urban space, both through a metaphorical reproduction of the city via painting and by means of street level urban interventions. The paintings seek to induce the experiential qualities of perspectival warping and spatial interdiction experienced by the city inhabitant. The urban interventions employ a construction semiotic which appear simultaneously official yet inscrutable, creating a sidewalk confusion intended to prompt questioning by the public as to the intervention’s use value and ownership—in short, spatial jamming.